It was recorded at Shangri-La Studios in early Shirley then recruited Bonham and Sherinian for the project, which is named after the industrial area in the British Midlands where both Hughes and Bonham were born and raised. NET story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. NET does not endorse, or guarantee the accuracy of, any user comment. To report spam or any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, use the "Report to Facebook" and "Mark as spam" links that appear next to the comments themselves.
During October , when news first broke about the band getting back together, things on Facebook, Instagram and Twitter, started blowing up and fan reaction was overwhelming. It was clear to see that BCC fans were hungry for another album. With the help and guidance of producer Kevin Shirley, they further added to their rock lineage by recruiting drummer Jason Bonham and keyboardist Derek Sherinian.
BCC has cultivated a reputation not only as amazing songwriters, but as a powerful live act, is only exceeded by their dedication to their craft, and a willingness to challenge and motivate each other to make the best music they can. Issued a mere nine months later, in time for a well received slot at the High Voltage Festival in London, Black Country Communion 2 was darker and deeper than its predecessor. Now, seven years on from its inception, Bonamassa feels the time is right to bring the original BCC line-up back for album 4.
A lot has happened since we last recorded the Afterglow album in , so, in many ways, the new album shows BCC with a much harder, riffier and bigger and bolder sound. The album was mixed at Cave Studios in Sydney in March. The songs on BCCIV will appeal to all fans of high quality hard rock, also those that admire singers of distinction.
Hughes is not known as The Voice of Rock for nothing. With an abundance of heavy riffs, undeniable hooks, melodic flair and infectious choruses, BCCIV is a spectacular album that gets bigger and bolder with repeated spins.
All songs on the new album were co-written by Glenn Hughes and Joe Bonamassa. Joe came over and I played him the riff, and we finished the song before lunch. I had a feeling that Collide would set the pace for the record. One Last Soul definitely clicked with Rock fans, and got a lot of Radio airplay.
I can hear it on the radio. The fact that he played everyone off the ship to the detriment of himself brings you back to a more selfless time in our history. I don't believe the conditions are around in for something or someone like that to step forward and be recognized. I felt that his story and this song played well on this album. His violin is in a private collection and survives to this day. Joe had two parts to this song: the intro and outro where the track is suited with a mandolin and fiddle.
The middle part, heavy and dramatic and dark. Absolutely love Joe's vocal on this song. A tale of the Titanic going down into the deep, and a violin that would perish alongside its many fateful passengers. SWAY A swagger riff leads the way on this track. I'm mesmerized by the beat in the verse, and when it hits the chorus it's full on Classic Rock, once again the vocal is carrying the message.
I'm still shaking my head in astonishment. I wanted to write a song about my love for dolphins. Each year thousands of these beautiful Souls are murdered by Hunters in the coastal town of Taiji Japan. They are drove into the Killing Cove and brutally slaughtered. My heart aches as I watch on live stream on what happens in the Cove.
I ask you all to listen to this song and understand how deeply affected we all are as animal and sea life protectors.
0コメント